We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!
Paul Laurence Dunbar was born on June 27, 1872, to two formerly enslaved people from Kentucky. He became one of the first influential Black poets in American literature and was internationally acclaimed for his dialect verse in collections such as Majors and Minors (Hadley & Hadley, 1895) and Lyrics of Lowly Life (Dodd, Mead and Company, 1896). The dialect poems constitute only a small portion of Dunbar’s canon, which is replete with novels, short stories, essays, and many poems. In its entirety, Dunbar’s literary body is regarded as an impressive representation of Black life in the turn-of-the-century United States.