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We are proud to announce the full public release of “The Devil at Woodstock.” We explore the question of culture as both a tool and a weapon using a series of case studies, including the uncensored history of the 1960s counter-culture and its synthetic creation.
How many of us can really distinguish between today’s real and synthetic culture? Wherein lies the difference? More importantly, what must be done to rediscover and restore an authentic, living culture committed to Beauty, the Sublime and the universal progress of man?
This film is dedicated to laying out some of the principles necessary to begin answering these questions in a meaningful manner. This is the first in a series of films exploring these crucial topics.
From Huxley’s Island and the musical group The Doors to Plato’s cave and the ancient magic of poetry, we venture deep into the heart of the modern image-making machine that has been shaping Western culture behind the scenes for far too long.
Join us in lifting the veil.
For only $6, you can support our new monthly film initiative. You’re helping us restore a culture of the Sublime and Beautiful.
Listen to Part I
For those interested in learning more about the topics in The Devil at Woodstock, read my new book on the trance-formation of the West
New Book: A Renaissance or New Middle Ages?
Individuals, groups, and entire civilizations are shaped by myriad unseen forces. At the heart of this vast matrix of invisible forces is the image of man. From ancient civilizations and archaic societies to the Renaissance and the modern Western world, this “self-image” has undergone many fundamental transformations—most of them understood by only a small minority of individuals. What unfolds across this book is a story, which perhaps more than any other in history, holds the key to unlocking a new Renaissance or unleashing a new Middle Ages.
